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FAQs

We answer some of your Frequently Asked Questions about the SI Leeds Literary Prize.

minoli salgado - heard due to individual givers to the SI Leeds

Minoli Salgado with the commissioned trophy by Seiko Kinoshita (photo: Max Farrar)

Q: Why does the Prize exist?

A: The Prize exists to act as a loudspeaker for Black and Asian women’s voices, enabling fresh and original literary voices from a group disproportionately under-represented in mainstream literary culture to reach new audiences.  In addition to providing a platform for these new voices, a key part of the Prize’s ethos is to support our longlisted and shortlisted writers through a package of speaking events, network development, training and mentoring to support them in fulfilling their potential.

Q: Who is the Prize for?

A: The Prize is Leeds-based but national in its remit, and is for Black and Asian women writers aged 18 or over who are resident in the UK.  Unusually, it is a prize for unpublished fiction, which makes it distinct from many other literary prizes for which only published works are eligible.  The Prize’s focus on unpublished fiction means that, importantly, it encourages the broadest range of entries, separate from publishing trends or expectations about the sorts of book that our eligible writers might choose to write.

Q: Why is the Prize only for Black and Asian women?

A: Women writers of Black & Asian backgrounds are disproportionately under-represented in bestseller lists and in the writing industry – a disadvantage linked to their minority status.  In 2010 not a single writer defined as Black or Asian entered the Nielsen Bookdata bestseller list. Over ten years of records we identified only 4 Black and Asian women writers who reside in the UK, and 14 overall. We believe the Prize is justifiable under the terms of Positive Action in the 2010 Equality Act, on the basis that: Black and Asian women writers suffer a disadvantage linked to their race and gender, and have a disproportionately low level of participation in the UK writing industry, the action we are taking encourages this group to overcome this disadvantage and encourages participation and the prize is a proportionate response to the issue.

Q: Is the Prize only open to women of colour based in Yorkshire?

A: No – SI Leeds Literary Prize is a national award, although we are very proud of our Yorkshire roots and connections.  Entrants must be UK-based.

Q: How much is the Prize?

A: The writer of the winning entry in 2024 will be awarded the 1st Prize award of £4,000 plus a host of additional valuable benefits through the Prize’s unique Prize Plus writer development scheme, including a free place at an Arvon creative writing course; free manuscript assessment of their work from The Literary Consultancy and support from New Writing North.

Q: What has happened to previous winners?

A: Minoli Salgado’s A Little Dust on the Eyes, about Sri Lanka’s twin tragedies of a brutal civil war and the Boxing Day tsunami, won the 2012 Prize and was published by Peepal Tree Press.  A Little Dust on the Eyes was one of Peepal Tree Press’s best-selling novels,  translated into Slovene, and longlisted for the prestigious 2016 DSC Prize for South Asian Literature.  Our 2014 winner, Mahsuda Snaith, went on to win the 2014 Bristol Short Story Prize and signed a two-book deal with Transworld.  Her winning entry has now been published as The Things We Thought We Knew and her follow-up book, How to Find Home, was featured as BBC Radio 4’s Book at Bedtime.  2014 Readers’ Choice winner Kit de Waal went on to sign a three-book deal with Penguin. The first of these novels, My Name is Leon, was published by Viking to significant critical acclaim, and her follow-up novel, The Trick to Time, was longlisted for the 2018 Women’s Prize for Fiction.  Our 2016 winner, Amita Murray, has signed a two-book deal with Harper Collins, and her debut novel, The Trouble with Rose, was published in 2019, and Unladylike Lessons in Love was published in 2023.  Winnie M Li, 2016 runner-up with Dark Chapter, has won The Guardian’s Not The Booker Prize for her entry in 2017.  Stella Ahmadou’s shortlisted entry from 2016, Deadly Sacrifice, will be published by Jacaranda Books in 2020.  2020 first prize winner, Wenyan Lu, had her winning entry The Funeral Cryer published by Allen & Unwin in 2023, and the 2022 SI Readers’ Choice award winner, Laura Fish, will have her winning entry, Lying Perfectly Still, published in October 2024.

Q: When is the closing date?

A: The Prize is biennial and the 2024 Prize will be open for entries from 1 April – 13 May 2024 through this link.

Q: When will the Prize winner be announced?

A: The Prize award announcement will be made online in the autumn of 2024.

Q: I’m a published writer – am I still eligible to enter the prize?

A: Yes – published and unpublished writers are eligible, so long as the manuscript submitted has not been published.

Q: My manuscript has been published online – does this count as being published?

A: If your work is available online free of charge, this is eligible for submission to the prize.  Manuscripts currently available for sale online, either in full or significant proportion (i.e. more than 50% of the total manuscript) are ineligible – sorry.

Q: I have written more than 30,000 words but my book is not yet finished.  Do I have to submit the full manuscript?

A: Yes – the prize is only open to complete and finished manuscripts.

Q: Is work which has been translated from English and published in another language, but which has not been published in English, eligible for entry?

A: Yes, work translated from English and published in another language, but which has not yet been published in English, is eligible for entry, provided that it meets the stated criteria for originality – i.e that the work in English is the author’s own original work.

Q: I am a UK based woman but I am not sure if I am eligible to enter because of my ethnicity.  Can you help?

A: The prize is open to a broad range of ethnicities, as self-defined by entrants.  See here for more details.

Q: I entered a manuscript for a previous edition of the Prize – is it eligible for re-entry in the next edition?

A: Yes, you can enter the same manuscript again if you wish.  You can also submit more than one entry, but each entry will cost the same entry fee.

Q: I am on a low income – is there a discounted entry fee?

A: Yes – we have a number of bursaries giving entrants free entry if they would welcome this support – they are generously supported by previous Prize winners Mahsuda Snaith and Wenyan Lu. Please contact us before the deadline if you would like to enter for free.

Q: How do I enter my manuscript?

A: You can enter duing the submissions window (1 April – 13 May 2024) using this link.  You’ll need to submit your entry anonymously, so please remove your name from the manuscript, and we accept a range of file formats, including .doc, .docx., .pdf, .txt and .rtf.  You will also need to include a 500 word synopsis and confirm that you have read the Prize rules.

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